Friend of the African Renaissance and all-round great guy Timothy Aideloje had an interview with Photo Naija. So, what did he have to say about his passion – photography?
Company Name / Trade Name
Name of Interviewed Photographer
http://www.kaine.pro/test (site under construction)
Photographer’s Phone Number
Photography Specialty and background
Landscape, Portrait, Weddings, Events, Theater, Travel, Fashion etc.
Your Location and Coverage Area as A Photographer?
Lagos and Abuja
How long have you been a Photographer?
When did you first become interested in photography?
From a Young age I’ve always been fascinated by Cameras and Photography.
Who were the first artists who inspired you?
Kelechi Amadi Obi and Shola Animashaun.
What do you love most about being a photographer, and what do you find to be the most challenging aspect of the job
Being a Photographer has been a wonderful experience for me as it has taken me to places and made me meet people of different tribes and most of all made me understand and appreciate the values attached to various cultures. The most challenging part of Photography for me is the ever growing need to buy gear and equipment which in most cases are very expensive and sometimes not so easy to lay hands on, another challenging aspect and I believe most Photographers can relate to this and which is trying to strike a balance with a client to pay for your services.
Do you think about Photography in todays society, and what do you think the Industry’s near future looks like?
Photography in today’s society creates an atmosphere for Photographers to express themselves through their works in terms of how they portray their immediate environment. The Industry’s near future looks very bright for the present and future generation to come due to the rapid rise in demand for photography coverage in the everyday aspect of life and style.
Any words of wisdom for the up-and-comers?
Never limit yourself, Explore all options.
Would you like to take up a Photography Apprentice?
So we threw some questions at Catherine Labiran and the always delightful poet, author and activist shared thoughts on her new book of poetry titled Ayisat and her life as an artist. Check out the interview below.
Give us an insight into the creative journey of Ayisat.
The poems in Ayisat were written across my teenager years, so each poem gives the reader an insight to my experiences and what I was going through at that particular time. I have been fortunate enough to travel quite a bit and this reflects in different cultural references documented in the book. When I put this book together, I told myself that I was going to be as free as I could possibly be. At first, I was nervous to talk about certain topics because of how I would be perceived. However, I then came to the conclusion that my story is more powerful than my fear of perception. I then progressed to write and collate poems with a free and unchained spirit.
In what ways did you grow upon completing the poetry collection? And did this change or expand when the book got published?
Completing the collection helped me grow up a lot because it propelled me to put myself out there. Sometimes I can be really reserved with my art. Sometimes, I fall into the trap of being a perfectionist, which is a loser’s game. Making Ayisat taught me that imperfections can be beautiful. I included poems that I wrote when I was 16 to demonstrate my journey, not what the perfect poem could be. When the book was published, I grew once again because I had to make myself vulnerable to criticism and open to love. Once a book is out there, there is no taking it back. This process freed me from the restraints I put on myself creatively.
What can poetry lovers who haven’t read Ayisat be excited about?
If you know me, prepare to learn something new about me. If you do not know me, then here I am. Even though all the poems are not directly about me, they all show my thinking process.
Ayisat is dedicated to your mother and all mothers. How does that maternal mind state impact or reflect in the book?
Ayisat is my baby. I birthed this book, I have seen it grow up and go across the world. When I hand over copies of the book to people it is as if I am giving my child away to get married. The book is a collection of poems I wrote when I was experiencing the upside-down-inside-out-crazy-normal-quiet-loudness of being a teenager. This book is my journey in text.
Are there any poems or themes you’d love to revisit when you become a mother?
Definitely, when I am a mother I want to revisit the topic and idea of love. I have experienced love but never the love that a mother has for a child. I can only imagine how intense such a love is. Also, depending on the state of the world when I give birth, I am sure I will have to revisit my poems on politics. It’s bad enough living a corrupt world, but it is even worse knowing that your offspring is suffering at the cost of greed and evil.
How does your written poetry differ from your spoken word pieces?
I do not really think there is much of a difference between both forms. The only difference I can immediately think of is structure. When I write poems for the page, I have to pay attention to the structure, where I want words and the punctuation. However, when I write a Spoken Word piece, I do not really structure the poem or add punctuation because I know my mind would do that naturally.
Is there a dominant approach to your creative process or is each piece developed uniquely?
I think I approach every piece in its own unique way. When I create poems in my mind, I flip reality on its head. My mind births the abstract, filters dreams into reality and makes the reader question if there is a difference between the two. The world is a mysterious place, beyond what you and I know, and my poetry wants to demonstrate that. Also, in order to write I like there to be silence and I like to be alone.
What life experiences thus far have shaped you as a poet?
The biggest experience that shaped me as a poet was moving from the U.K to the U.S to pursue my degree. My transition made me a fish out of water. At first, I spent weeks, months, even, trying to work out how to breathe. The awkwardness of not knowing anyone, having an ocean separate you and your loved ones, drove me to pick up my pen in a way I have never done before. I have gone through isolation in the past, but this time I was not afraid of it. I connected with all that was lonely inside of me, all the little torn up pieces. I introduced my fragments to each other and then they weren’t so lonely after all. My best work has been produced ever since.
Literature lovers can get their hands on Ayisat at Lulu.com. So if you don’t have a copy click the link to see how you can get one, and if you do have a copy go ahead and get another for a friend.
Swedish playwright August Strindberg is set to make what could be his first ever appearance on the Nigerian theatre scene as Abuja based theatre outfit Arojah Royal Theatre is set to stage Dance of Death 1.
The two-part play is about a half-crazed married couple locked together in splenetic isolation. Edgar, a garrison captain (played by Toba Oyewale) and his wife Alice (played by Oluwaseun Odukoya), a thwarted actor, prepare to celebrate 25 years of married torment in the fortress they laughably call home. Half-starved and seething with contempt for everyone on the island, they fall with malign glee on Alice’s cousin, Kurt (played by Ebichi Promise) who arrives to be the new quarantine master. Since it was Kurt who brought them together, he becomes a weapon in their domestic warfare, as well as someone to confide in. But, contaminated by their viral passion, Kurt eventually beats a retreat leaving the pair in a state of exhausted reconciliation.
Courtesy of the Embassy of Sweden, Abuja, and Ericsson Nigeria, the play directed by Jibrin Ahmed will be scheduled to make a tour of tertiary institutions in Abuja: the University of Abuja, Nassarawa State University, Base University and the Nigerian Law School, Bwari, Abuja.
The premiere performance will be staged at the Abuja residence of the Ambassador of Sweden, Plot 41, T.Y. Danjuma street, Asokoro, Abuja on June 28, 2014 by 3.00pm and 5.30pm.
Speaking about the performance, artistic director of Arojah Royal Theatre Om’Oba Jerry Adesewo said: “This is just another of our effort (sic) in employing the theatre as a social force. It is called ‘Cultural Diplomacy Initiative’ and is intended to use theatre as a tool for cultural diplomacy”. He added that under this initiative Arojah Royal Theatre will include at least one or two foreign plays in its annual theatre season of 5-6 plays.
H.E. Mr. Svante Kilander who is a fan of August Strindberg expressed excitement about the opportunity of Nigerians experiencing Swedish theatre: “It will be great to see how Nigerian theatre lovers receive this play. I am particularly excited about this initiative of the Arojah Royal Theatre and African colouration that is to be given to this great play.”
N100, 000 is up for grabs in the Homevida 2014 Short Film Script Competition and we want to help you win it! Improve your chances of emerging a winner by better understanding the competition, its mission, criteria and guidelines.
Terms of reference: this details articles 1 – 11 which provide important information about the competition, its goals, judges and overall modes of operation.
Short film script criteria: this details the criteria for short screenplays based on which winning scripts will be selected.
Rules and conditions: ensure that you as a writer are eligible and your script does not get disqualified by understanding the rules and regulations guiding the competition.
Press release for the Homevida Short Film Script Competition.
Earlier in the year we brought Ojo Adinoyi Onukaba’s riveting historical play The Killing Swamp to audiences in Abuja. Now you can relive the experience with photos from the lens of Timothy Aideloje (@jtimdal)
Photos from the first night’s performance of The Killing Swamp, written by Ojo Onukaba and directed by Williams Obasi.
Stand a chance to win a N100, 000 and have your winning scripts turned into short films in the Homevida 2014 Call for Scripts Competition.
Homevida is calling on all Nigerians between the ages of 16 – 30 to send their original short scripts in these 3 categories: See it after the cut…
· The Investors Protection Prize, endowed by the Securities and Exchange Commission (SEC)
· The Human Development Prize, endowed by United Nations Millennium Campaign (UNMC)
· Recognition for the Best Anti trafficking in Persons Script by United Nations on Drugs and Crime (UNODC) and funded by the European Union (3 winners will be selected from this category)
To be eligible, all submitted scripts must be:
· Able to fit into a 10-15 minutes short film. Scripts should be no more than 15 pages.
· Have well defined characters and plot
· Typed and presented professionally in MS Word or PDF.
Entries close June 13, 2014.
To read more on the criteria for each category, click HERE
To submit your script, click here http://homevida.org/competitions/short-film-submition
Homevida is an initiative of the Public and Private Development Centre (PPDC). This initiative was created on a platform to drive creative messaging on integrity and value change by providing incentives to film makers who consider such values when making their movies. We have partnered with institutions such as Securities and Exchange Commission Nigeria (SEC), Bureau of Public Procurement (BPP), Code of Conduct Bureau (CCB), Economic and Financial Crimes Commission (EFCC) and the National Film and Videos Censors Board (NFVCB).
For more enquiries on the competition: 08036267188 or firstname.lastname@example.org
To know more about our work and past events visit: http://www.homevida.org
Click here to watch the short film which won the Family Friendly Prize Homevida 2011 Short Scripts Competition
IMPORTANT! Improve your chances of emerging a winner by better understanding competition and its goals:
Terms of reference for the Homevida short film script competition.
Criteria for the short film script entries.
Rules and conditions for submission of short film scripts.
Drums Ensemble is an intriguing concept developed by YAKLECH Entertainment – a duo made up of young Nigerian artistes Yaki Musa and Alechenu Abel. A fusion of rhythms and creativity of traditional African era and 21st century society, Drums Ensemble will deliver an exciting evening of prime traditional drumming, with a variety of other traditional instruments in accompaniment.
The aim of Drums Ensemble is to bring children, youth and the older generation in touch with tradition in this technological age. The show is a great way for the Jos community to interact and the two producers, students of the University of Jos, are excited to reinvigorate traditional African culture through its most iconic instrument – the drum. Also expected are about 10 well-travelled and experienced drummers who will perform their magic with a host of drums differing in shapes and sizes.
The Drums Ensemble train will be taking off from Jos and moving to other parts of the country, so be on the lookout, your city may just be next! Culture and tradition are coming with an explosion of sound and rhythm, are you ready?
Date: 24th of April 2014
Venue: Open Air Theatre, University of Jos main campus, Bauchi road, Jos, Plateau state, Nigeria.
The Catholic Youth Organization of Nigeria (CYON) Our Lady Queen of Nigeria pro-cathedral Abuja in collaboration with Bluetooth Entertainment storms the city of Abuja with a Night of comedy, music and dance “RESURRECTION LAUGHTER ON EASTER SUNDAY”
DATE: easter sunday 20th of April 2014
TIME: carpet opens 4pm prompt
VENUE: The lawn tennis court Area 3 pro-cathedral, Abuja, Nigeria.
GOLD: table for four (4) N7,000
DIAMOND: table for six (6) N10,000
PLATINUM: table for eight (8) N20,000
Tickets can also be purchased at the venue
CURIOUS ABOUT RESURRECTION LAUGHTER?
RESURRECTION LAUGHTER is a comedy, music and dance show organized in celebration of the season of Easter. A celebration of life with family and friends in an entertainment packed environment. RESURRECTION LAUGHTER ON EASTER SUNDAY features the best of all worlds, with hilarious stand up comedy performances from the best in the industry, dance moves to rock your world, music to soothe the soul, not forgetting the additional health benefits that comes with the programs partnership with health organizations such as SCAF (sickle cell aids foundation) and the state department for public health. The event will provide free genotype and blood group test and general health awareness
RESURRECTION LAUGHTER is Proudly supported by:
African Renaissance Theatre & Entertainment
Sickle Cell Aid Foundation (SCAF) of Nigeria
100 Majik Monkeyz
Lindsey Tullolu said
Peji and Linda Khan said
Very good play. Loved it.
Chima Edomob said
Original. Engaging. Keep doing what you are doing with passion.
Abah Odachi said
Chinansa Uwakwe said
A brilliant performance. With more props it would be greatly enhanced I enjoyed the message and believe their potential is without limits. Kudos!
Ogba Abah said
Wonderful play. Eye opening and the timing is perfect – with what’s happening in North-Eastern Nigeria. Change will come soon hopefully.
Thank you for that play!
Very powerful. I learnt a lot about Nigerian history. Really enjoyed myself, thank you!
Eve Naef said
It was a nice play. Keep it up!
A very good play, but I think Asabe should have added more “real” passion in terms of tears. It brought a new sight to the Saro-Wiwa story.
Tristan Fonlladosa said
Very enjoyable. Reminded of the many plays I watched in lagoon.
Olusegun Shoyombo said
An excellent performance.
Ndamchiri Muhammad said
Very good and well delivered play.
Chidozie Oba J. said
Interesting. A lot needs to be done in Niger Delta region for the injustice and degredation of the region
Golda Obi said
Very good acting, riveting and entertaining. Will certainly attend again.
Pa Tamba Ngom said
Williams Rebecca said
Drama was cool.
Williams Olaitan said
Really cool I look up to more of these.
Oliver Gainford said
Excellent. Really interesting re-imagining of Ken Saro-Wiwa’s last moments and great acting.
Oliver Dominic said
Want to see it again.
Doris Popoola said
Walter Okoye said
Lovely. Exceptional performance.
Valerie Bireloze said
That was a genuine, warm, wonderful show. Thank you.